Great Book Design Ideas – The Reedsy editorial team is a diverse group of business professionals dedicated to helping authors write and publish beautiful books.
Savannah is a senior editor at Reedsy and a published author whose work has appeared in Slate, Kirkus, and BookTrib. His short stories were published in the Owl Canyon Press anthology No Bars and a Dead Battery.
Great Book Design Ideas
You probably know the saying, “Don’t judge a book by its cover.” But that’s easier said than done. Weapon book covers will not be hidden when purchased
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A reader’s first impression of a book. Or as famous author Paul Searle said in an interview with Penguin Random House:
“While jackets are there purely to protect the book, I also like to think of the book cover as a door. It’s the beginning of the reading experience.”
In fact, book cover design is one of your book’s most important assets and can have a huge impact on sales, so you need to get it right.
In this article, he has selected 68 amazing fabrics to give you book cover ideas. (If you’re looking for inspiration for something great,
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Cover design by (left to right, top to bottom): Tom Lenartowicz, Rodrigo Corral, Johannes Wiebel, Peter Mendelsund, David Drummond.
To quote Antoine de Saint-Exupéry: “A designer knows he has reached perfection not when he has added nothing, but when there is nothing left to take away.” Patterned The fabric strip cleans the fabric to the required area. Often featuring simple fonts and a small amount of content, these quiet, smart covers instead rely on white space to increase real estate.
Cover design by (left to right, top to bottom) Na Kim, Mario J Pulice, Janet Hansen, Adly Elewa, Keith Hayes, and Suzanne Dean.
A great frame doesn’t have to be complicated. In fact, the goal of most illustrators is to summarize the core of the book in his one image, “one idea”, so to speak.
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“The goal of #bookcover is to summarize the essence of a book in his one image.” Lots of advice here! Click to tweet!
, depicting an outstretched arm covered under the night sky. This is an image that also presents the book’s theme of communication at the center of a vast universe. To no one’s surprise, you’ll find that typography is more than limited in these frames, as designers want to make sure this “one idea” is central.
Cover design by (left to right, top to bottom): Joel Tippie, Christopher Brand, Alison Forner, Jeffrey Nguyen, Jarrod Taylor, and Lynn Buckley.
Ah, the photo. There’s a reason it’s on the cover. Very effective at grabbing the reader’s attention. When you see a shadowy figure, you probably don’t automatically think, “Who is that?”
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That being said, one could argue that the Silhouette is a victim of its own uncertain victories. These days, it can be difficult to do it the first time. Successful designers often work against graphic design (as in the work of David Nichols)
For Galloway’s sake, it’s important to uncover the mysterious voice and the idea of the missing girl. I decided to create an empty image shape on the photo to represent the missing parts. I wanted to create an attractive design using collages, books, and illustrations. I try to create frames that are striking and unique, yet still fit within the boundaries of the genre. – Jeffrey Nguyen on designing Galloway Court. 4. An essay is worth a thousand words.
Photo collections are an exciting trend in the world of frame design. Considering the latest innovations in photo manipulation provides designers with a huge sandbox of opportunity. As you can see, the attached image gives the cover a modern look. In a slightly twisted form, you can see this technique grace the covers of history books, such as those by Charles Baudelaire.
This is one of the parts where I didn’t like the original and had the window installed by hand. In fact, these covers are quite large and there are a lot of them of all kinds. Not to mention how designers can add special touches. Where else can you find a cover with a “Y” for the wine glass that Gatsby so preciously holds?
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Let’s start with the fence. There’s no better example of how powerful a fence is than a frame that transforms its image into a photo on its own (!).
Book covers are your secret selling weapon. #Find design inspiration here! Click to tweet!
, for example, does a great job of spreading the book’s message in just a few strokes. You’ll notice that the title ultimately creates the “little bombshell” that is the heart of this book. As LitHub states, “We intend to cause trouble, but the bombshell effect in this collection is so systematic that it makes communication horrifying. This is an apt depiction of violence.” ”
Cover design (left to right, top to bottom): Asha Blue, Thomas Walker, Jon Gray, Neil Fujita, Mirandi Babitz, Adly Erewa.
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Large, bold prints on covers are another recent trend, and it’s not hard to see why. This type of media shouts, “This is the book you want to pick up.” That, or “Here…we…
We would expect this type of model to be infused with bright colors, as it is not a game for which it is appropriate. You can often find them bundled with books with recommendations, such as Eve Babitz’s books.
. Additionally, if your implementation is good, your brand may be able to achieve certified status. (See: Sequence of
Now let’s go to the other end of the spectrum. Simple, understated typography is used for a variety of purposes within the book’s frame. The elements are perfectly balanced and emphasize the frame of the book.
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. Good designers aren’t afraid to prioritize the text so that the design takes center stage. So the results are impressive. This type of cover allows the (usually) surprising work to capture the reader’s imagination.
Make Way for Her is a book in the New Poetry and Prose series from the University of Kentucky Press. The design went through many directions before reaching its final stage. First, the shape was tested and approved. Then switch to horror and laughter. In both cases, I kept the drawings clean and simple. By combining the elements of art, we were able to add depth and shine to the feelings of a young woman who is searching for herself and moving forward. —Kathleen Lynch on designing her own path. 8. A symbol that can be visualized by magic.
Cover design (left to right, top to bottom): Scott Bendall, Janet Hansen, Oliver Munday, Timothy Goodman.
Fun fact: not all witches use wands. Oh, you want proof? Take a look at this cover set, also known as Exhibit A: Typography as Magic. Baci’s vision was born
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Run away from your vision – until you realize that the title itself is there to perfectly simulate? It’s so inviting that you can’t help but reach out and open the book (which is, of course, the designer’s goal).
“To narrow down the book’s themes, I wrote out sports, comedy, youth, violence, sex, horror, personal, women, wisdom, etc. in a series of boxes. I taped these word sheets and worked on them. I looked at it for a few days before I started and tried to approach the design by just thinking about these topics. – Janet Hansen on Move Moved’s design 9. Handwritten titles add a sense of realism.
Cover design by (left to right, top to bottom): Jim Tierney, Adly Elewa, Rodrigo Corral, Leanne Shapton, Adly Elewa, Leo Nickolls.
You know that feeling you get when your friend points at you? That was the idea behind the five-letter title, now featured in the cover design. Handwritten titles convey a sense of warmth, authenticity, and personality. Don’t be surprised if you find that this type of printing is perfect for special or super original books that introduce lots of characters. Example: Popular current young adult novels. Examples include John Green’s The
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Placement is key with this type of typography, allowing the title to become a direct part of the design. In some cases, like Brett Lietz, that means being hidden by the cover design.
. It can also mean that the title is an extension of the scene. See the cover of
For example, the combination of elements creates a sense of movement, representing the idea of the title, peeping out of a window while escaping from the scene.
Suspense and mystery books use this technique to great effect. The design is designed to give readers a glimpse of the entire scene and inspire them to see where they can see the big picture. And you can bet that it’s not.