Design Ideas For Book – The Reedsy editorial team is a diverse group of industry experts dedicated to helping authors write and publish great books.
Savannah is a senior editor with Reedsy and a published author whose work has appeared in Slate, Kirkus, and BookTrib. His short story was featured in the Owl Press story, “No Bars and Dead Batteries”.
Design Ideas For Book
You know the mantra: “Never judge a book by its cover.” But that is easier said than done. The book cover is a not-so-secret marketing tool
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A reader’s first experience with a book. Or, as renowned illustrator Paul Sahre put it in an interview with Penguin Random House:
“On a fully functional level, there’s a jacket there to protect the book, but I also like to think of the book cover as a door. It is the beginning of the learning experience. “
Basically, book cover design is one of the book’s most important assets and can have a huge impact on sales—so you need to get it right.
In this post, we’ve cherry picked 68 brilliant book covers to give you book cover ideas. (For now, if you’re looking to do a great job
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Cover design by (left to right, top to bottom): Tom Lenartowicz, Rodrigo Corral, Johannes Wiebel, Peter Mendelsund, David Drummond.
To quote Antoine de Saint Exupéry: “The artist knows that he has achieved perfection not when there is nothing left to add, but when nothing is left behind.” Small covers strip the cover down to the essentials. Often characterized by a simple font and a moderate amount of content, these quiet, smart covers instead rely on white space to lighten the weight of the.
Cover design by (left to right, top to bottom): Na Kim, Mario J Pulice, Janet Hansen, Adly Elewa, Keith Hayes, Suzanne Dean.
A great cover doesn’t have to be heavy. In fact, the goal of many cover designers is to convey the meaning of the book into an image – or “idea,” so to speak.
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“The purpose of a #bookcover is to translate the essence of a book into an image.” More tips here!
, showing an outstretched hand under the night sky – an image that again provides the book’s theme of connection between the big world. No one will be surprised, the creator will want to make sure that this “one idea” is in the middle, so you will see that the writing is more than limited to these covers.
Cover design by (left to right, top to bottom): Joel Tippie, Christopher Brand, Alison Forner, Jeffrey Nguyen, Jarrod Taylor, Lynn Buckley.
Ah, the silhouette. There’s a reason it’s everywhere on covers: it really, really works at getting the reader’s interest. Who wouldn’t look at a shadow figure and automatically go, “Who’s that?”
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That said, you could say that the silhouette is a victim of its own triumph. It’s so common that it can be hard to be original these days. Successful designers often play against the uppercase letter (as in David Nicholls’
For Justice Galloway, it is important to express the mysterious voice and vision of the missing girl. I chose to create a blank silhouette pattern over the image to represent what is missing. I love using a combination of photography, writing, and graphics to create powerful designs. I tried to create a cover that would stay within its genre while still being striking and unique. – Jeffrey Nguyen on Justice Galloway’s design. 4. A summary is worth a thousand words.
Photo collages are an exciting trend in the world of cover design. Given the latest innovations in photo manipulation, they offer a huge sandbox of opportunities for designers. As you can see, the cover photo collages have a modern look. In other twists, you can see this pattern adorning the covers of classics – giving books like Charles Baudelaire’s.
We are obsessed with appearance, which is definitely a covered area. These covers are, in fact, so versatile that they come in all shapes and sizes. Not to mention how they use designers to add that special touch! Where can you find the lid where the “Y” is the wine glass that Gatsby holds so well?
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Let’s start with a bang: there is no better explanation (!) of how powerful a book can be than a cover that turns your book into your image.
The book cover is your secret weapon when it comes to advertising. Find #designinspiration here! Click to tweet!
, for example: does a good job of conveying the book’s message in a few sentences. You will notice that in the title you end up creating the “small bombs” that are at the heart of this book. As LitHub says, “While the explosion is expected to cause chaos, the result of the bomb in this structure is very planned and the excitement of the network. It is a description of the time of violence. “
Cover design by (left to right, top to bottom): Asya Blue, Thomas Walker, Jon Gray, Neil Fujita, Mirandi Babitz, Adly Elewa.
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Big, bold text on covers is another trend in recent years, and it’s not too hard to see why. Such a typewriter screams: “This is the book you want to pick up.” That, or: “Here… we…
Expect to see this type of script spread among bright colors, because subtlety isn’t exactly in play here. You’ll often find it linked to books with interesting titles, too – like Eve Babitz’s
. Also: if it works well, there is a chance that the brand can acquire iconic status. (See: the literature of
Let’s move now to the opposite end of the spectrum. A simple and easy printer is really used for a lot of purposes on the cover of the paper – it adjusts the quality of the material to show the best.
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. Great designers aren’t afraid to let the writing take over so the illustration takes center stage. As a result, the end result is amazing: covers of this type allow the (often) mud drawing to really capture the reader’s imagination.
NONE The design goes through many stages before we decide on the finish: at first, the appearance is descriptive and abstract; then it turns edgy and artistic. In both cases, I kept the spreadsheet clean and simple. It allowed me to relate to the characters of the painting, to add to the depth of emotions young women find and make their way through, and make the illustration shine. -Kathleen Lynch on Design Make your way. 8. Type can do visual magic.
Cover design by (left to right, top to bottom): Scot Bendall, Janet Hansen, Oliver Munday, Timothy Goodman.
Fun fact: not everyone uses magic. Oh, you want proof? Take this set of covers, known as Exhibit A: Writing Like Magic. Create the visible dynamism of Baci’s
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Escape your attention – until you realize that they have come to show the topic itself? They are so interesting that they almost make you want to reach out and open the book (which is, of course, the designer’s intention).
“To narrow down the themes in this book, I used a box to write them down: funny, funny, young, violent, sexual, romantic, personal, feminine and wise. I took this text book apart and looked at it a few days before I started, and I tried to approach the design by thinking only about these themes. ” – Janet Hansen producer of The Bed Move. 9. Hand-crafted titles keep things organized.
Cover design by (left to right, top to bottom): Jim Tierney, Adly Elewa, Rodrigo Corral, Leanne Shapton, Adly Elewa, Leo Nickolls.
You know that feeling you get when a friend writes to you by hand? This is the idea behind the titles of the handbook, which is now in progress in the design of the cover. Handmade titles reflect warmth, sincerity and personality. Don’t be surprised to find that this type of script works well with unusual or uber-original books that feature a lot of people! Case in point: it’s very popular in Young Adult fiction now, for example in John Green’s The
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Movement is key to this type of writing, allowing the subject to become a direct part of the design. Sometimes this can mean being hidden by a cover design, as with Brett Reetz
. Sometimes, it means that the topic is an extension of the area. Check the security
, for example: its combined elements form a perspective-correcting sense of the title, looking out the window as the landscape rushes by.
Suspense and especially mystery books use this technique to great effect. By giving you a glimpse of the whole scene, the example makes readers wonder where the next image might take them. And you can bet it won’t be